Standards converters were once expensive hardware assets that often needed an expert to configure. Today, motion compensated HD conversion can be handled within a single modular device supported by software standards converters. InSync Technology’s managing director, Paola Hobson, debunks myths and clears up misunderstandings about standards conversion.
IP is steadily gaining traction around the world, with IBC2018 a forum to boost education and discussion about interoperability and the ramifications of SMPTE ST 2110. IBC365’s
Filmmaker Paul Cook used a wide range of production equipment from Vitec Group brands to produce his new film, “Magpie.” Cook’s production company has just released the trailer for “Magpie,” a crowd-funded film about a British soldier and his wife who suffer the effects of post-traumatic stress disorder (PTSD) during and after World War II.
When it comes to repurposing HD material for integration into UHD projects (or SD into HD), attention to detail makes all the difference. What you do with the content at the earliest stages ensures you’ll get the high-quality results you want in the end. Paola Hobson, managing director of InSync Technology, has some tips.
Originally developed for Sony, and then customized for Panasonic, then RED, Imagine Products realized they needed a tool that could detect the camera type and work with all the various file-based parameters and work for all of them. And ShotPut Pro was born!
In this blog miniseries, Andy Hurt of Wazee Digital promotes best practices in digital asset management with “Content on the Move: Top 5 Things You Need to Know About Dynamic Cloud Archives.”
Read how Mark Smith, the owner and director of photography for Oh Seven Films, relies on Imagine Products’ PrimeTranscoder to help solve the disappearance of Amelia Earhart.